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Historic inn micro wedding at the Old Monterey Inn: Anissa and David married in the gardens of a 1929 English Tudor manor on an August evening in 2023 — sixteen guests, live strings and brass, and an aisle strewn with petals. They gave themselves the whole weekend on the property, checking in early so nothing was left to the morning.
They got ready in separate rooms, married outdoors under the trees, then sat down to a long garden dinner with toasts, three named dances, and the cake cut as the light went soft. No first look, no big production — a small day built entirely around the people who were in the garden for it.
Hair and makeup set up in the late morning in the Brightstone Room, working through the wedding party and then Anissa, holding back a final touch-up until right before the dress went on. She and David chose not to get ready together — the women stayed in the Brightstone Room, the men took the room off the courtyard — and with no first look planned, the next time they would see each other would be down the aisle.
By late afternoon the flowers were in from Bella Jardin: a bridal bouquet heavy with peach and coral garden roses, a boutonnière, six small table arrangements, petals for the aisle, and a two-piece floral arch that would come apart after the ceremony and move onto the reception tables. Anissa's gown had a sheer, delicately beaded long-sleeve bodice over a clean skirt, her hair swept into a soft updo. She was dressed and ready before the guests began to arrive.
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The ceremony was outside, in the deep green of the inn's garden — wooden folding chairs set on the lawn among tall trees and redwoods, brick pathways threading through the beds, the late sun coming down dappled through the canopy. Guests were seated to live strings and brass: a prelude of "Can't Help Falling in Love," Satie's Gymnopédie, and Clair de Lune, then Edelweiss as the family took their seats.
Rev. Kimberly Cope stood at the arch. David walked in first — blue suit, navy bow tie, his dark hair pulled back — then the flower girls came down with their baskets, and Anissa followed on her father's arm to Wagner's Bridal Chorus, handing her bouquet to her mom before the vows. It was quick: vows, rings, and the walk back out to Mendelssohn's Wedding March, the strings carrying Handel and Bach behind them, guests clapping from the chairs on both sides. The two of them stayed a few minutes more to sign and witness the marriage license right there in the garden.
“Anissa on her father's arm to Wagner's Bridal Chorus, handing her bouquet to her mom before the vows.”
Family and couple portraits happened around the property while cocktail hour got going. The Old Monterey Inn was built in 1929 for Carmel Martin Sr., Monterey's first elected mayor, and it sits in more than an acre of gardens planted with roughly a hundred trees — Monterey pines, California oaks, and tall redwoods among them.
Anissa and David walked the brick paths and the lawns as the afternoon light softened toward evening, Brian Lima working the couple through the greenery and the shaded corners of the garden. There was one quiet stretch of just the two of them on a brick path under the trees before the family gathered in for group photos.
Dinner followed on the garden patio, long tables set under the trees with chiavari chairs, pink linens, and low arrangements of coral and peach roses running down the center, candles between them, a pyramid heater standing by for when the evening cooled. The two-piece floral arch had come apart and reappeared on the tables. When the champagne was poured, David gave the thank-you toast and then opened the floor to the table, so the speeches came from the people closest to them — a grandmother beaming from her seat, family leaning in across the flowers.
The dancing was three songs, each one chosen: a father-daughter dance to Louis Armstrong's "What a Wonderful World," a mother-son dance to "The Jitterbug Waltz," and Anissa and David's first dance to "God Only Knows." They cut a Sweet Reba's cake as the sun dropped, and the evening stayed on the property, under the trees, until the last of the light was gone.