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Iona and Joseph got married in the Angeles National Forest — a micro wedding under tall pines in the San Gabriel Mountains above Los Angeles, in June 2021, both families gathered in close. Six guests made the drive up. The whole day happened in one stand of trees, where the ceremony gave way to portraits and then to a long afternoon in the forest with nowhere anyone had to be next.
The two families are why the day looked the way it did. Iona's people came in Scottish tartan. Her father wore a red-and-blue kilt with a sporran and a leather flask etched with a topographic map. Joseph wore a grey ombre Barong Tagalog, the embroidery running down the front. Two lines, Filipino and Scottish, standing together in a pine forest an hour out of the city.
The morning ran indoors, in a hotel room with the city out the window. Iona's gown hung in the light first, a square-neck satin slip with a long train, a pearl-dotted veil beside it. Her bouquet sat waiting nearby: white peonies and roses worked through with steel-blue sea holly and eucalyptus, a little bottle of Marc Jacobs Daisy Dream propped in front of it. She got ready in pearls while her mother stayed close in a floral top, and her bridesmaids kept the room loud in their green dresses.
Her father came in already in his kilt jacket, silver studs down the front, and the two of them held up a phone so the family watching from home could see the dress. Then everyone loaded up for the climb out of the basin, up into the San Gabriels where the pines run tall and the air goes dry and thin.
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They married outdoors on the dry forest floor while the tall pines stood straight up on every side. Joseph waited in his Barong Tagalog, a woman officiated with a folder in hand, and Iona came in with her white bouquet to meet him. The guests gathered in tight — one man in a blue suit, two women in green dresses and sunglasses — while the light came down hard through the trees. When Joseph kissed her, the whole group was near enough to reach out and touch them.
The vows came out of navy notebooks, one marked "hers" and one "his." Afterward they signed the marriage license on a cloth-draped table at the front, where a kilted relative bent over the paper with a feather pen while Iona's father looked on. Filipino and Scottish, a national forest for a chapel, and six people who all knew exactly what they were watching.
“Two families, Filipino and Scottish, standing together under the pines with a national forest for a chapel.”
Portraits ran out through the forest and up to where the trees thin and the San Gabriel ridge opens up behind — bare chaparral slopes and a lone burned palm, where the couple kissed while the mountains rose pale behind them. Joseph carried a hand-painted sign through the trees, "THE TIRONAS · Angeles National Forest" lettered across it, while Iona held her train up beside him.
They brought a snow globe labeled "Siraya," a small white elephant inside it, and held it up for a close photo, Joseph's embroidered Barong on one side and Iona's satin gown on the other. The forest did the rest of the work. No arch, no staging, just the trunks and the dry open ground and a mountain trail running off into the tall grass.
The reception stayed out in the trees. A white cloth went down, champagne went on ice in a silver bucket, and the family gathered around while the pines closed in. Iona's father kissed her, a kilted relative raised a flute, and the whole small group spread easy across the forest floor. With six guests it ran more like a family picnic than a reception, the two lines finally in one place after the drive up.
For the cake cutting they had a pie from The Pie Hole on a raw-wood round, topped with a black MR & MRS cutout of two hikers climbing a mountain. Iona and Joseph shared the first bite off one plate, still in the trees, and the afternoon stayed as small and close at the end as it was at the start.