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A pre-dawn Hakone ceremony before the gardens opened is what Violette and Matt planned — an early-morning wedding in the hills above Saratoga in August 2024, married among the koi ponds and clipped maples while the property was still closed to the public and the light was just coming up over the garden. Sixteen people made the drive. They pulled the whole thing off, an out-of-state wedding planned from another state, before the ticket booth ever opened.
The day ran early on purpose. Getting ready at a rented house in the hills, a short drive to Hakone while the Peninsula was still quiet, vows by the water, portraits through the garden, and then lunch down in Palo Alto — all of it done in the window before the gates opened at ten and the visitors arrived.
The morning started at the rental house in the hills while it was still early. Hair and makeup came together with the family gathering around, the flowers already picked up and ready to travel. Violette's look was its own event — a full blue watercolor-print gown with big puffed organza sleeves, off the shoulder, the fabric washed in soft blues like sky and sea. She wore hoop earrings and a small flower pinned into her hair, her tattoos bare against the pale blue, and she was already laughing while an attendant did up the back against a wall of wood-framed shoji screens. She stood by the wooden lattice of a window for a portrait, the light coming in low and warm across her face.
Then came the short drive over to Hakone. Violette slipped into the gown in the estate parlor while the officiant arrived and the last of the sixteen guests found their places on the garden paths. The property was still shut to the public, the ponds calm, the maples unmoving. Hakone sits up in the hills above Saratoga, and coming in on the access road before the gates open gives you the sense of arriving somewhere briefly yours alone — the parking lot empty, the ticket booth dark, the whole garden still.
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The ceremony was in Hakone's Hill and Pond Garden, under an enormous spreading oak, a white aisle runner laid down the gravel path between the maples. The bridesmaids stood in a row of soft purples and mauves while Matt waited in a textured teal suit with a green tie and a small pink boutonniere, white sneakers on his feet. A silver-haired officiant led the vows while the koi ponds and the clipped garden sat behind the small circle of family and friends. It was quiet the way a place is quiet before it opens — no other voices, no foot traffic, only the sixteen people who had come to watch.
When they were married, Violette and Matt walked back out together to "Easy" by Porter Robinson and Matt Zo, meeting in the middle of the runner for a kiss while the garden closed in green around them. Then portraits began, the group moving through the paths with one eye on the clock, because the public gates would open at ten.
“They married among the ponds and maples while the garden was still theirs alone, portraits done before the public arrived.”
Hakone is the oldest Japanese-style residential garden in the Western Hemisphere, its koi ponds, arched bridges, and wooden viewing pavilions kept close to what they have always been. Violette and Matt took their portraits through it while the light was still soft and the garden still empty. The whole wedding party crowded in together, the bridesmaids laughing in their purples, Matt in teal at the center with Violette's blue gown and her lavender-and-white bouquet in the middle of it. The couple leaned into each other on the runner, her painted skirts pooling on the gravel, the manicured hedges dark green behind them.
After photos wrapped, everyone drove down for the reception while the day was still going, and the garden filled up behind them with visitors who had no idea a wedding had just come and gone before them.
The celebration moved to Il Fornaio in Palo Alto, its dining room warm with exposed brick and a big painted mural of bakers at a stone pizza oven behind the tables. Violette changed into a second dress for it, a white eyelet gown with a high neck and short sleeves, her pearls at her throat. She and Matt had their first dance in front of the mural, then a father-daughter dance, an emotional one, the two of them holding on in front of the painted brick oven.
Once the guests were seated, champagne was poured and the toasts went around — a run of them, one guest in a lilac linen suit standing to speak while Matt looked up from his chair. The cake came from Sweet C's Bake Shoppe: white buttercream with a cluster of lavender roses and greenery on top, cut to show soft layers threaded with fruit and jam. Out by the pool, statues standing along the water, the couple posed with the cake and a low arrangement of purple and white blooms, flutes of champagne lined up on the wood table. What they had built from another state held all the way through, the early Hakone ceremony, the garden portraits, and the long unhurried lunch, right to the last of it.